Austin College Presents Lively Day of the Dead Production Día de Muertos

Austin College Presents Lively Day of the Dead Production Día de Muertos

Brilliant colors, vibrant dance, artful words, and a dose of humor will bring a de Muertos alive for one night at Austin College on Monday, November 5, at 5 p.m. as the Austin College Center for Southwestern and Mexican Studies presents Day of the Dead – La Catrina Mexica y Nezahualcóyotl” in Hoxie Thompson Auditorium of Sherman Hall. The performance, presented mostly in Spanish with an English introduction, is very visual so can be enjoyed regardless of language, organizers explain. The event is free and open to the public; auditorium doors open at 4:30 p.m. Sherman Hall is located on Grand Avenue.

 Artists and actors Erik De Luna and Román Iván Gómez will bring to life the dance, poetry, philosophy, and rites of central Mexico one century before the arrival of the Spanish. This performance will feature a pre-Hispanic personification of death (la Catrina prehispánica) and the 15th-century poet king Nezahualcóyotl.

Erik De Luna is an amazing artist who not only has a keen original aesthetic but also a performers ability to sense an audience,” said Dr. Julie Hempel, director of the Center for Southwestern and Mexican Studies. The show that he is bringing to Austin College is based on the theme he is presenting this year in Querétaro, Mexico. He is working with seasoned actor Román Iván Gómez who will portray the Pre-Hispanic poet Nezahualcóyotl. The performance will be mostly in Spanish, but it is also full of visuals, dance, and rituals, so it will be entertaining to a wide audience. It is a rare chance to see how ancient Mexicans celebrated Day of the Dead.

Day of the Dead, Dia de los Muertos, is a Latin American holiday of celebration and festival that honors the dead and the belief that on this day, the dead join the living in celebration.Though held a few days after the American Halloween, the holidays are not related, and Day of the Dead is not considered a scary or sad event. Skeletons and skulls that are the familiar symbols of the day are nearly always festively decorated and portrayed as enjoying life. 

Erik De Luna began his artistic career with a bachelors degree in graphic design. While studying at the Autonomous University of Querétaro in Mexico, he joined the university theater group Los Cómicos de la Legua.” Through acting, he discovered a passion for performance and costume design in addition to drawing and the visual arts. He has continued to write, direct, and perform shows at the university theater for the past 19 years, most notably shows centering on Day of the Dead. In 2003, Erik designed a lotería game featuring images to match the more than 50 names that Mexicans use to personify death.  Since then, he has portrayed the Catrina (a traditional death figure) and continued to draw, paint, and design costumes for more than 100 Catrinas. He has appeared on the cover of National Geographic Traveler as theCatrina Monarca” and as an invited artist during the premiere of the movie Coco in Morelia, Mexico. In the past two years, he has performed throughout Mexico and internationally in Shanghai, Madrid, and Vienna

Román Iván Gómez, an architect by training, has acted with Los Cómicos de la Legua” at the Autonomous University of Querétaro theater for almost 13 years. Most recently, he appeared in the all-male production of La Casa de Bernarda Alba. Other productions include: Bajo tierra, Salón Calavera, Milagritos a la orden, La tradicional pastorela navideña, Yerma, and Los gritos mudos de las voces muertas.These last three works are musicals directed by Maestro Alejandro Celia.

The Austin College Center for Southwestern and Mexican Studies promotes collaborative learning between students of the college and faculty members, with special emphasis on the historical, cultural, social, economic, and political issues facing Texas and Mexico.

 Austin College, a private national liberal arts college located north of Dallas in Sherman, Texas, has earned a reputation for excellence in academic preparation, international study, pre-professional foundations, leadership development, committed faculty, and hands-on, adventurous learning opportunities. One of 40 schools profiled in Loren Pope’s influential book Colleges That Change LivesAustin College boasts a welcoming community that embraces diversity and individuality, with more than 40 percent of students representing ethnic minorities. A residential student body of approximately 1,275 students and a faculty of more than 100 allow a 13:1 student-faculty ratio and personalized attention. The College is related by covenant to the Presbyterian Church (USA) and cultivates an inclusive atmosphere that supports students’ faith journeys regardless of religious tradition. Founded in 1849, the College is the oldest institution of higher education in Texas operating under original name and charter.

Blue Sky Songtellers’ Gathering

Blue Sky Songtellers’ Gathering

On September 28, 2018, five of country music’s most notable singers, musicians, and songwriters will take the stage at the historic Kidd-Key Auditorium, in Sherman, Texas.  Proceeds of the event will benefit the Sherman Police and Fire Associations.  Tickets are available at  All seats are reserved, no tickets will be sold at the door.

During an intimate evening experience, these four outstanding country music artists will share their songwriting techniques and motivations as they create songs for some of the top national recording artist in the industry.

Dean DillonDale Dotson, Sony Music/Nashville Historian, calls Dean Dillon “the greatest songwriter in this city”.  Dean Dillon has penned more than 50 songs for George Strait.  He has hits by George Jones, Keith Whitley, and more recently, Kenny Chesney and Toby Keith.  His songs include The Chari, Marina del Rey, Different, Miami My Amy and many more.

Scotty EmerickScotty Emerick has written more than 30 songs for Toby Keith.  He has also written songs for Sawyer Brown, George Strait, Ronnie Milsap, Willie Nelson and more.  His songs include Once Was, Whiskey for My Men, A little Too Late, I’m Just Talking About Tonight and many more.

Chris WallinChris Wallin is a Nashville “A List” Songwriter that has written hits for Lorie Morgan, Montgomery Gentry, Sammy Kershaw, Tommy Shane Steiner, Trace Adkins, Michael Peterson, Anthony Smith, Jeffrey Steele, Confederate Railroad, Neal McCoy, Brian McCommas, Brad Paisley, Joe Diffie, Diamond Rio, Kenny Chesney, Toby Keith and man more.  His songs include Don’t Blink, Something To Be Proud Of, I’m Trying, Love Me If You Can and many more.

Jason AllenJason Allen opens his heart to you as the listener and he has captured his true style as a recording artist.  He is also an accomplished songwriter that has penned songs for some of the top and the newest artist on the scene including Kevin Fowler, Kyle Park, Jon Wolfe, Mario Flores and Jason Casssidy.  His songs include Still Dancing With Her, Elvis Tonight, It’s Your World, Must Have Been Meant To Be and many more.

Phillip WildmanPhillip Wildman is a talented singer songwriter from Dorchester, Texas, whose musical influences travel from Broadway to Western Swing with a lot of old time country along the way.  Because of his wit and catch melodies, companies have used Wildman and his jingles for advertising and promotion.  Wildman is a two-time top ten finalist in the Texas Troubadour competition and in 2017 he was one of the top three finalist and awarded the People’s Choice Award.

Tickets online at

Blue Sky Gathering is sponsored by Texoma Educators Federal Credit Union, Douglass Distributing, Lone Star Food Store, Orscheln Farm & Home, Plyler construction, Los Hermaos Realty, Hoyte, and Dudes Music.  Proceeds benefit the Sherman Police and Fire Associations.

Texoma Blues Society Concert Series presents Mike Morgan and Shawn Pittman

Texoma Blues Society Concert Series presents Mike Morgan and Shawn Pittman

An Intimate Evening With Mike Morgan and Shawn Pittman

Join the Texoma Blues Society for their monthly Blues Acoustic Concert at Tupelo Honey Bar and Grill on July 12th from 7 – 9:30 pm. Tickets are $20/per person. Our monthly concerts are intimate experiences where the MUSIC is the focus. You won’t be distracted by the chatterboxes at the table next to you!

You may purchase your ticket by contacting Monica Babin Muil via Facebook. We have a 50 seat limit at all of our concerts. Reserving your seat in advance is strongly recommended.

This month we focus on Mike Morgan (of Mike Morgan and the Crawl). He has chosen Shawn Pittman of Oklahoma as his accompaniment for this acoustic concert.

Mike Morgan was born in Dallas on November 30, 1959, and grew up in nearby Hillsboro, Texas. Morgan displayed an avid interest in music as a youngster, listening intently to the impassioned soul sounds of Otis Redding and Wilson Pickett on local radio stations. He received his first guitar while in the third grade, but didn’t begin to take playing seriously until he discovered Stevie Ray Vaughan’s album, Texas Flood, in 1985.

“When I heard Stevie’s first album, that was it,” Morgan recalls. “I already knew how to play the guitar, but Stevie showed me a lot of things I didn’t know. After that, I dove headlong into playing the blues.”

As his prowess on the guitar developed, it became clear that he was not merely a Stevie knock-off, but rather an original player with a sound and style all his own. Mike moved to Dallas in 1986 and soon hooked up with experienced vocalist Darrell Nulisch (formerly with Anson Funderburgh and the Rockets and Ronnie Earl) to form The Crawl (named after an old jukebox hit by guitar great, Lonnie Brooks. Darrell had a tremendous knowledge of blues and a deep collection of blues records, and he exposed Morgan to the music of the Chicago blues scene and many of its key players.

Mike Morgan and The Crawl quickly made a name for themselves as one of the best contemporary blues bands in Texas, writing original songs that were on a par with the classics they chose to cover. After Nulisch left the band in 1989, Morgan set out to find a vocalist who would fit his desire for a broader-based R&B sound. He found the perfect match in Kansas City native and blues veteran Lee McBee, whose smoky, seasoned vocals were reminiscent of the legendary 1960s soul singers Morgan listened to while growing up. The fact that McBee was also an accomplished and revered harmonica player added more fuel to The Crawl’s fire.

As Mike and Lee’s collaboration proved popular with blues aficionados, appearances at the Benson & Hedges Blues Festival, the Dallas Blues Festival, the Atlantic City Blues Festival and the Mississippi Valley Blues Festival soon followed. Shortly before a performance at the New Orleans Jazz & Heritage Festival, Morgan’s old pal Anson Funderburgh took Black Top owner Hammond Scott to a gig. Scott was so stunned by the band’s talent and originality that he signed them to the label immediately following the Jazz Fest appearance.

Mike Morgan and The Crawl found a national audience with the release of their debut recording, Raw & Ready, in 1990. Backed up by extensive national and international touring, Mike Morgan and The Crawl continued to amaze their fans throughout the 1990s by releasing five highly regarded albums, Mighty Fine Dancin, Full Moon Over Dallas, Ain’t Worried No More, Looky Here!, The Road and I Like The Way You Work It. Morgan even kept a high profile during some down time away from the band in 1994 by recording Let The Dogs Run, a highly acclaimed record that paired him with fellow Dallas guitarist Jim Suhler.

Meanwhile, praise for Morgan and the band came flooding in. Guitar World Magazine called Morgan “a genuine blues guitar hero!!”

Blues Access Magazine raved, “Mike Morgan and the Crawl crank up an irrepressible of fresh gritty blues and romping Stax/Volt-era soul.”

New Years Eve 1999 saw an end to the Morgan /McBee era of Mike Morgan and the Crawl. As Lee ventured out to do his own band back in his home state of Kansas, Morgan decided it was high time he took over as the front man. After years of great vocalists / front men such as Lee McBee, Darrell Nulisch, Chris Whynaught and Keith Dunn, Mike was ready to take on the new challenge.

In 2000 Texas Man, Mike’s first vocal outing was released on Severn Records. Texas Man met rave reviews and was followed up in 2004 by “ Live in Dallas.” 2007 saw the release of the most current CD, Stronger Every Day. Stronger Every Day was released by Seven Records and has guest appearances by Lee McBee and Randy McAllister.

Mike has not been touring much since 2006. He is still playing mostly local gigs and a few scattered touring appearances. Mike is currently the sales manager at a Mesquite, TX-based motorcycle dealership called “Action Suzuki / Kawasaki / Arctic Cat of Mesquite.


Although he’s often closely associated with the Lone Star State since originally taking up residence in Dallas, Texas in the early ‘90s, vocalist/guitarist Shawn Pittman is actually an Oklahoma native. Pittman was born in the small town of Talihina and raised in Norman, a city located in Cleveland County, Oklahoma. At eight years old he began taking piano lessons under the encouragement of his mother but later began sneaking into his older brother’s room to play on his drum kit. By the age of fourteen, he had switched to guitar and was soon introduced to the mysterious sounds of Lightnin’ Hopkins and Muddy Waters by Bracken Hale, a good friend and member of his seventh-grade football team. Their friendship would prove significant as Hale would later collaborate with Shawn on writing material for many of his albums.

Pittman moved to Dallas, Texas when he was seventeen years old where he attended the Booker T Washington High School of the Performing Arts. He later dropped out, but picked up his music education courtesy of his uncle who would take him over to the Schooner’s jam in Dallas where he first met Sam Myers. According to Pittman, “Sam Myers was one of the best musicians I’ve ever played with!” Additional guidance and inspiration came by way of local area musicians Mike Morgan and Hash Brown. His first album, “Blues From Dallas,” was recorded in 1996 and later picked up and retooled for his national debut in ’97 as “Burnin’ Up” on the short-lived Cannonball Records label. His second album, “Something’s Gotta Give,” was produced by Jim Gaines and followed in ’98. Pittman toured as rhythm guitarist for Susan Tedeschi briefly in ’99, just long enough to make a television appearance with her on the Conan O’Brien Show. The following year he relocated to Austin and recorded his third album “Full Circle,” backed by Stevie Ray Vaughan’s rhythm section Double Trouble. In 2004, a more experimental and adventurous album titled “Stay” was released. After a much needed break from the music business, as well as some serious soul-searching from 2005-2008, Pittman returned to performing and made a plan to record one album per year. By mid-2010 he already had five independently released recordings under his belt! This flurry of activity eventually led to a new record contract with Delta Groove and plans were immediately set in motion to record yet another album.

“Edge Of The World” marks Shawn Pittman’s tenth release and contains an inspired program of original material by an accomplished singer, songwriter, and guitarist, recalling all the vintage tones and ambiance of the great blues recordings of the 1950’s and ’60’s. Even more astonishing is the fact that Shawn plays virtually every instrument on the CD, handling everything from vocals and guitar to bass, drums, and piano, on top of doubling as the album’s producer and engineer! Special guest Jonathan Doyle (Mighty Blue Kings, Jimmy Sutton’s Four Charms, White Ghost Shivers) represents the album’s only other personnel by contributing tenor & baritone saxophone on four songs. When asked to comment about the inspiration behind his latest and most ambitious project Pittman simply states “I’m just playing the music I want to hear!”