Texoma Blues Society Concert Series presents Mike Morgan and Shawn Pittman

Texoma Blues Society Concert Series presents Mike Morgan and Shawn Pittman

An Intimate Evening With Mike Morgan and Shawn Pittman

Join the Texoma Blues Society for their monthly Blues Acoustic Concert at Tupelo Honey Bar and Grill on July 12th from 7 – 9:30 pm. Tickets are $20/per person. Our monthly concerts are intimate experiences where the MUSIC is the focus. You won’t be distracted by the chatterboxes at the table next to you!

You may purchase your ticket by contacting Monica Babin Muil via Facebook. We have a 50 seat limit at all of our concerts. Reserving your seat in advance is strongly recommended.

This month we focus on Mike Morgan (of Mike Morgan and the Crawl). He has chosen Shawn Pittman of Oklahoma as his accompaniment for this acoustic concert.

Mike Morgan was born in Dallas on November 30, 1959, and grew up in nearby Hillsboro, Texas. Morgan displayed an avid interest in music as a youngster, listening intently to the impassioned soul sounds of Otis Redding and Wilson Pickett on local radio stations. He received his first guitar while in the third grade, but didn’t begin to take playing seriously until he discovered Stevie Ray Vaughan’s album, Texas Flood, in 1985.

“When I heard Stevie’s first album, that was it,” Morgan recalls. “I already knew how to play the guitar, but Stevie showed me a lot of things I didn’t know. After that, I dove headlong into playing the blues.”

As his prowess on the guitar developed, it became clear that he was not merely a Stevie knock-off, but rather an original player with a sound and style all his own. Mike moved to Dallas in 1986 and soon hooked up with experienced vocalist Darrell Nulisch (formerly with Anson Funderburgh and the Rockets and Ronnie Earl) to form The Crawl (named after an old jukebox hit by guitar great, Lonnie Brooks. Darrell had a tremendous knowledge of blues and a deep collection of blues records, and he exposed Morgan to the music of the Chicago blues scene and many of its key players.

Mike Morgan and The Crawl quickly made a name for themselves as one of the best contemporary blues bands in Texas, writing original songs that were on a par with the classics they chose to cover. After Nulisch left the band in 1989, Morgan set out to find a vocalist who would fit his desire for a broader-based R&B sound. He found the perfect match in Kansas City native and blues veteran Lee McBee, whose smoky, seasoned vocals were reminiscent of the legendary 1960s soul singers Morgan listened to while growing up. The fact that McBee was also an accomplished and revered harmonica player added more fuel to The Crawl’s fire.

As Mike and Lee’s collaboration proved popular with blues aficionados, appearances at the Benson & Hedges Blues Festival, the Dallas Blues Festival, the Atlantic City Blues Festival and the Mississippi Valley Blues Festival soon followed. Shortly before a performance at the New Orleans Jazz & Heritage Festival, Morgan’s old pal Anson Funderburgh took Black Top owner Hammond Scott to a gig. Scott was so stunned by the band’s talent and originality that he signed them to the label immediately following the Jazz Fest appearance.

Mike Morgan and The Crawl found a national audience with the release of their debut recording, Raw & Ready, in 1990. Backed up by extensive national and international touring, Mike Morgan and The Crawl continued to amaze their fans throughout the 1990s by releasing five highly regarded albums, Mighty Fine Dancin, Full Moon Over Dallas, Ain’t Worried No More, Looky Here!, The Road and I Like The Way You Work It. Morgan even kept a high profile during some down time away from the band in 1994 by recording Let The Dogs Run, a highly acclaimed record that paired him with fellow Dallas guitarist Jim Suhler.

Meanwhile, praise for Morgan and the band came flooding in. Guitar World Magazine called Morgan “a genuine blues guitar hero!!”

Blues Access Magazine raved, “Mike Morgan and the Crawl crank up an irrepressible of fresh gritty blues and romping Stax/Volt-era soul.”

New Years Eve 1999 saw an end to the Morgan /McBee era of Mike Morgan and the Crawl. As Lee ventured out to do his own band back in his home state of Kansas, Morgan decided it was high time he took over as the front man. After years of great vocalists / front men such as Lee McBee, Darrell Nulisch, Chris Whynaught and Keith Dunn, Mike was ready to take on the new challenge.

In 2000 Texas Man, Mike’s first vocal outing was released on Severn Records. Texas Man met rave reviews and was followed up in 2004 by “ Live in Dallas.” 2007 saw the release of the most current CD, Stronger Every Day. Stronger Every Day was released by Seven Records and has guest appearances by Lee McBee and Randy McAllister.

Mike has not been touring much since 2006. He is still playing mostly local gigs and a few scattered touring appearances. Mike is currently the sales manager at a Mesquite, TX-based motorcycle dealership called “Action Suzuki / Kawasaki / Arctic Cat of Mesquite.

SHAWN PITTMAN:

Although he’s often closely associated with the Lone Star State since originally taking up residence in Dallas, Texas in the early ‘90s, vocalist/guitarist Shawn Pittman is actually an Oklahoma native. Pittman was born in the small town of Talihina and raised in Norman, a city located in Cleveland County, Oklahoma. At eight years old he began taking piano lessons under the encouragement of his mother but later began sneaking into his older brother’s room to play on his drum kit. By the age of fourteen, he had switched to guitar and was soon introduced to the mysterious sounds of Lightnin’ Hopkins and Muddy Waters by Bracken Hale, a good friend and member of his seventh-grade football team. Their friendship would prove significant as Hale would later collaborate with Shawn on writing material for many of his albums.

Pittman moved to Dallas, Texas when he was seventeen years old where he attended the Booker T Washington High School of the Performing Arts. He later dropped out, but picked up his music education courtesy of his uncle who would take him over to the Schooner’s jam in Dallas where he first met Sam Myers. According to Pittman, “Sam Myers was one of the best musicians I’ve ever played with!” Additional guidance and inspiration came by way of local area musicians Mike Morgan and Hash Brown. His first album, “Blues From Dallas,” was recorded in 1996 and later picked up and retooled for his national debut in ’97 as “Burnin’ Up” on the short-lived Cannonball Records label. His second album, “Something’s Gotta Give,” was produced by Jim Gaines and followed in ’98. Pittman toured as rhythm guitarist for Susan Tedeschi briefly in ’99, just long enough to make a television appearance with her on the Conan O’Brien Show. The following year he relocated to Austin and recorded his third album “Full Circle,” backed by Stevie Ray Vaughan’s rhythm section Double Trouble. In 2004, a more experimental and adventurous album titled “Stay” was released. After a much needed break from the music business, as well as some serious soul-searching from 2005-2008, Pittman returned to performing and made a plan to record one album per year. By mid-2010 he already had five independently released recordings under his belt! This flurry of activity eventually led to a new record contract with Delta Groove and plans were immediately set in motion to record yet another album.

“Edge Of The World” marks Shawn Pittman’s tenth release and contains an inspired program of original material by an accomplished singer, songwriter, and guitarist, recalling all the vintage tones and ambiance of the great blues recordings of the 1950’s and ’60’s. Even more astonishing is the fact that Shawn plays virtually every instrument on the CD, handling everything from vocals and guitar to bass, drums, and piano, on top of doubling as the album’s producer and engineer! Special guest Jonathan Doyle (Mighty Blue Kings, Jimmy Sutton’s Four Charms, White Ghost Shivers) represents the album’s only other personnel by contributing tenor & baritone saxophone on four songs. When asked to comment about the inspiration behind his latest and most ambitious project Pittman simply states “I’m just playing the music I want to hear!”

 

Lisa Thomas to perform Native American Concert at Chrystal Opry House

Lisa Thomas to perform Native American Concert at Chrystal Opry House

Sherman Texas | April 14, 2018

Lisa Thomas will perform a Native American Concert at the Chrystal Opry House located at Melody Ranch on April 20, 2018.

Lisa Cheryl Thomas has performed internationally as well as in various venues throughout the United States, including Edmonton, Alberta and St. Catharines, Ontario, Canada and Cuzco, and Lima, Peru as a 2017 Fulbright Scholar, the Smithsonian NMAI, Kennedy Center Millennium Stage, and Weill Recital Hall at Carnegie Hall.  She has earned a Doctorate of Musical Arts degree and her research and lecture recitals regarding Native American Classical Piano Repertoire have awakened a new enthusiasm and interest in this music.

She is an accomplished performer and has recorded three CDs of the solo piano music of Arthur Farwell on the classical international London label, Toccata Classics.  Her CDs have garnered rave reviews in Fanfare Magazine and International Record Review.  She has a busy performance schedule and also presents many lecture recitals.  She was the center attraction for the Ruidoso, New Mexico Winter Concert Series in December of 2014.  Her unique concerts incorporate Piano, Native American Flute, Drum, Poetry, and Dancing, all I Native buckskin and fancy shawl regalia, with an atmospheric Native artwork and life slide presentation.  We look forward to having perform at the Chrystal Opry House on April 20th.

Chrystal Opry House is located at 1977 White Mound Road, off of Hwy 902 just Southeast of Sherman, Texas between Howe and Tom Bean.  Doors open at 6:30 pm. An authentic Native American meal will be served following the concert.  Advanced tickets must be purchased by April 18th.  Contact Lisa Thomas – Artist@IvoryArtists.org or call 214.763.8028 or Contact Bill Hayes at 903.546.6893.  Tickets are $25 in advance, $30 at the door.

Austin College Presents an Evening of Chamber Music and Jazz

Austin College Presents an Evening of Chamber Music and Jazz

Evening of Chamber Music and JazzThe Austin College Chamber Orchestra and the Greater Texoma Jazz Ensemble together present their spring concert on Monday, April 17, at 7:30 p.m. in Wynne Chapel on campus. The concert is free and open to the public.

The instrumental ensembles, under the direction of Dr. Ricky Duhaime, will present two distinct styles of music beginning with the Austin College Chamber Orchestra performing two movements of a Chamber Suite by G.F. Handel for violas and cellos arranged by Duhaime, and a set of Antique Dances and Airs by O. Respighi arranged by Harry Alshin.

The second half of the concert will feature the Greater Texoma Jazz Ensemble performing a variety of big band charts in both traditional and contemporary styles, including an arrangement by Duhaime.

The Chamber Orchestra is comprised of Austin College string and woodwind students, joined this semester by community members from across northeastern Texas. The Greater Texoma Jazz Ensemble consists of students, faculty, and community members from throughout the region.

The April 17 concert will feature jazz soloists James Carter on alto saxophone, Paul Onspaugh on tenor saxophone, Jesse Speer on trombone, Andrew Gregg on trumpet, Phil Pitts on piano, David Moore on guitar, and Richard Burleson on drums. Section features include current Austin College students Shelby Brooks and Mason Byrd on saxophone and Truman Dowdy on trombone. For additional information, contact the Music Department at Austin College at 903-813-2251.

Austin College, a private national liberal arts college located north of Dallas in Sherman, Texas, has earned a reputation for excellence in academic preparation, international study, pre-professional foundations, leadership development, committed faculty, and hands-on, adventurous learning opportunities. One of 40 schools profiled in Loren Pope’s influential book College’s That Change Lives, Austin College boasts a welcoming community that embraces diversity and individuality, with more than 40 percent of students representing ethnic minorities. A residential student body of 1,250 students and a faculty of more than 100 allow a 12:1 student-faculty ratio and personalized attention. The College is related by covenant to the Presbyterian Church (USA) and cultivates and inclusive atmosphere that supports students’ faith journeys regardless of religious tradition. Founded in 1849, the College is the oldest institution of higher education in Texas operating under original name and charter.